Toyo Ito Is 2013 Pritzker Architecture Prize Laureate

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Sendai Mediatheque (1995-2000), Sendai, Miyagi Prefecture (Photo by Tomio Ohashi)

Toyo Ito, a 71-year-old architect whose architectural practice is based in Tokyo, will be the recipient of the 2013 Pritzker Architecture Prize.

Toyo Ito (Photo by Yoshiaki Tsutsui)

The announcement was made March 17 by Thomas J. Pritzker, chairman of The Hyatt Foundation, which sponsors the prize.

Ito is the sixth Japanese architect to become a Pritzker laureate, the first five being the late Kenzo Tange in 1987, Fumihiko Maki in 1993, Tadao Ando in 1995, and the team of Kazuyo Sejima and Ryue Nishizawa of SANAA Inc. in 2010.

The formal ceremony for what has come to be known throughout the world as architecture’s highest honor will be at the John F. Kennedy Presidential Library and Museum in Boston on May 29. This marks the first time the ceremony has been held in Boston, and the location has particular significance because it was designed by another Pritzker laureate, Ieoh Ming Pei, who received the prize in 1983.

In making the announcement, Pritzker elaborated, “We are particularly pleased to be holding our ceremony at the Kennedy Library, and it is even more significant because the date is John F. Kennedy’s birthday.”

Tower of Winds (1986), Yokohama, Kanagawa Prefecture (Photo by Tomio Ohashi)

The purpose of the prize, which was founded in 1979 by the late Jay A. Pritzker and his wife, Cindy, is to honor annually a living architect whose built work demonstrates a combination of those qualities of talent, vision and commitment that has produced consistent and significant contributions to humanity and the built environment through the art of architecture. The laureates receive a $100,000 grant and a bronze medallion.

Pritzker Prize jury chairman, The Lord Palumbo, spoke from his home in the U.K., quoting from the jury citation that focuses on the reasons for this year’s choice: “Throughout his career, Toyo Ito has been able to produce a body of work that combines conceptual innovation with superbly executed buildings. Creating outstanding architecture for more than 40 years, he has successfully undertaken libraries, houses, parks, theaters, shops, office buildings and pavilions, each time seeking to extend the possibilities of architecture. A professional of unique talent, he is dedicated to the process of discovery that comes from seeing the opportunities that lie in each commission and each site.”

Ito began working in the firm of Kiyonori Kikutake & Associates after he graduated from Tokyo University’s Department of Architecture in 1965. In 1971, he founded his own studio in Tokyo, and named it Urban Robot (Urbot). In 1979, he changed the name to Toyo Ito & Associates, Architects.

TOD’s Omotesando Building (2002-2004), Shibuya-ku, Tokyo (Photo by Nacasa & Partners Inc.)

He has received numerous international awards, including in 2010, the 22nd Praemium Imperiale in Honor of Prince Takamatsu; and in 2006, The Royal Institute of British Architects’ Royal Gold Medal; and in 2002, the Golden Lion for Lifetime Achievement for 8th Venice Biennale International Exhibition.

Calling him a “creator of timeless buildings,” the Pritzker Jury cites Ito for “infusing his designs with a spiritual dimension and for the poetics that transcend all his works.”

Ito made this comment in reaction to winning the prize: “Architecture is bound by various social constraints. I have been designing architecture bearing in mind that it would be possible to realize more comfortable spaces if we are freed from all the restrictions even for a little bit. However, when one building is completed, I become painfully aware of my own inadequacy, and it turns into energy to challenge the next project. Probably this process must keep repeating itself in the future.

“Therefore, I will never fix my architectural style and never be satisfied with my works,” he concluded.

One of his first projects in 1971 was a home in a suburb of Tokyo. Called “Aluminum House,” the structure consisted of wooden frame completely covered in aluminum.

Za-Koenji Public Theatre (2005-2008), Suginami-ku, Tokyo

Most of his early works were residences. In 1976, he produced a home for his sister, who had recently lost her husband. The house was called “White U” and generated a great deal of interest in Ito’s works.

Of most of his work in the 1980s, Ito explains that he was seeking to erase conventional meaning from his works through minimalist tactics, developing lightness in architecture that resembles air and wind.

He calls the Sendai Mediatheque, completed in 2001 in Sendai City, Miyagi Prefecture, one of the high points of his career. In the Phaidon book “Toyo Ito,” he explains, “The Mediatheque differs from conventional public buildings in many ways. While the building principally functions as a library and art gallery, the administration has actively worked to relax divisions between diverse programs, removing fixed barriers between various media to progressively evoke an image of how cultural facilities should be from now on.”

The jury commented on this project in their citation, saying, “Ito has said that he strives for architecture that is fluid and not confined by what he considers to be the limitations of modern architecture. In the Sendai Mediatheque he achieved this by structural tubes, which permitted new interior spatial qualities.”

Another of Ito’s projects commented on by the jury is the TOD’S Omotesando building in Tokyo, “where the building skin also serves as structure,” to quote the jury citation, and further, “Innovative is a word often used to describe Toyo Ito’s works.”

Citing the Municipal Funeral Hall in Gifu Prefecture, Tokyo’s Tama Art University Library, and London’s 2002 Serpentine Gallery Pavilion, the jury calls attention to some “of his many inspiring spaces.”

The distinguished jury that selected the 2013 Pritzker laureate consists of:

– The Lord Palumbo (chairman), internationally known architectural patron of London, chairman of the trustees, Serpentine Gallery, former chairman of the Arts Council of Great Britain, former chairman of the Tate Gallery Foundation, and former trustee of the Mies van der Rohe Archive at The Museum of Modern Art, New York;

– Alejandro Aravena, architect and executive director of Elemental in Santiago, Chile;

– Stephen Breyer, U.S. Supreme Court justice, Washington, D.C.;

– Yung Ho Chang, architect and educator, Beijing;

– Glenn Murcutt, architect and 2002 Pritzker laureate, Sydney, Australia;

– Juhani Pallasmaa, architect, professor and author, Helsinki, Finland.

Martha Thorne, associate dean for external relations, IE School of Architecture & Design, Madrid, is the executive director of the prize.

The late Philip Johnson was the first Pritzker laureate in 1979. In addition to those already mentioned, past recipients are:

The late Luis Barragán of Mexico, 1980;

The late James Stirling of the U.K., 1981;

Kevin Roche, 1982;

Richard Meier, 1984;

Hans Hollein of Austria, 1985;

Gottfried Böhm of Germany, 1986;

Frank Gehry of the U.S., 1989;

The late Aldo Rossi of Italy, 1990;

Robert Venturi, 1991;

Alvaro Siza of Portugal, 1992;

Christian de Portzamparc of France, 1994;

Rafael Moneo of Spain, 1996;

The late Sverre Fehn of Norway, 1997;

Renzo Piano of Italy, 1998;

Sir Norman Foster of the U.K., 1999;

Rem Koolhaas of the Netherlands, 2000;

Australian Glenn Murcutt of Australia, 2002;

The late Jørn Utzon of Denmark, 2003;

Zaha Hadid of the U.K., 2004;

Thom Mayne of the U.S., in 2005;

Paulo Mendes da Rocha of Brazil, 2006;

Richard Rogers, 2007;

Jean Nouvel of France, 2008;

Peter Zumthor of Switzerland, 2009;

Eduardo Souto de Moura of Portugal, 2011;

Wang Shu of China, 2012.

The field of architecture was chosen by the Pritzker family because of their keen interest in building due to their involvement with developing the Hyatt Hotels around the world, and because architecture was a creative endeavor not included in the Nobel Prizes. The procedures were modeled after the Nobels, with the final selection being made by the international jury with all deliberations and voting in secret. Nominations are continuous, with hundreds of nominees from all around the world being considered each year.

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