Pritzker Architecture Prize Goes to Shigeru Ban

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Shigeru Ban's Paper Church, Kobe, 1995 (Photo by Hiroyuki Hirai)

Paper Church, Kobe, 1995 (Photo by Hiroyuki Hirai)

NEW YORK — Shigeru Ban has been announced as the 2014 recipient of the Pritzker Architecture Prize, becoming the seventh architect from Japan to receive the honor.

A Tokyo-born, 56-year-old architect with offices in Tokyo, Paris and New York, Ban is rare in the field of architecture. He designs elegant, innovative work for private clients, and uses the same inventive and resourceful design approach for his extensive humanitarian efforts.

Shigeru Ban

Shigeru Ban

For 20 years, Ban has traveled to sites of natural and man-made disasters around the world to work with local citizens, volunteers and students, to design and construct simple, dignified, low-cost, recyclable shelters and community buildings for the disaster victims.

Reached at his Paris office, Ban said, “Receiving this prize is a great honor, and with it, I must be careful. I must continue to listen to the people I work for, in my private residential commissions and in my disaster relief work. I see this prize as encouragement for me to keep doing what I am doing — not to change what I am doing, but to grow.”

In all parts of his practice, Ban finds a wide variety of design solutions, often based around structure, materials, view, natural ventilation and light, and a drive to make comfortable places for the people who use them. From private residences and corporate headquarters, to museums, concert halls and other civic buildings, Ban is known for the originality, economy, and ingeniousness of his works, which do not rely on today’s common high-tech solutions.

The Swiss media company Tamedia asked Ban to create pleasant spaces for their employees.  He responded by designing a seven-story headquarters with the main structural system entirely in timber. The wooden beams interlock, requiring no metal joints.

For the Centre Pompidou-Metz in France, Ban designed an airy, undulating latticework of wooden strips to form the roof, which covers the complex museum program underneath and creates an open and accessible public plaza.

To construct his disaster relief shelters, Ban often employs recyclable cardboard paper tubes for columns, walls and beams, as they are locally available; inexpensive; easy to transport, mount and dismantle; and they can be water- and fire-proofed, and recycled. He says that his Japanese upbringing helps account for his wish to waste no materials.

As a boy, Ban observed traditional Japanese carpenters working at his parents’ house and to him their tools, the construction, and the smells of wood were magic. He would save cast-aside pieces of wood and build small models with them. He wanted to become a carpenter. But at age 11, his teacher asked the class to design a simple house and Ban’s was displayed in the school as the best. Since then, to be an architect was his dream.

Paper Log House, Bhuj, India, 2001 (Photo by Kartikeya Shodhan)

Paper Log House, Bhuj, India, 2001 (Photo by Kartikeya Shodhan)

Ban’s humanitarian work began in response to the 1994 conflict in Rwanda, which threw millions of people into tragic living conditions. He proposed paper-tube shelters to the United Nations High Commissioner for Refugees and they hired him as a consultant.

After the 1995 earthquake in Kobe, he again donated his time and talent. There, Ban developed the “Paper Log House” for Vietnamese refugees in the area. With donated beer crates filled with sandbags for the foundation, he lined up the paper cardboard tubes vertically, to create the walls of the houses. Ban also designed “Paper Church” as a community center of paper tubes for the victims of Kobe. It was later disassembled and sent to Taiwan, and reconstructed there, in 2008.

Ban works with local victims, students, and other volunteers to get these disaster relief projects built. In 1995, he founded a non-governmental organization (NGO) called VAN: Voluntary Architects’ Network. With VAN, following earthquakes, tsunami, hurricanes, and war, he has conducted this work in Japan, Turkey, India, Sri Lanka, China, Haiti, Italy, New Zealand, and currently, the Philippines.

Pritzker Prize jury chairman, The Lord Palumbo, said, “Shigeru Ban is a force of nature, which is entirely appropriate in the light of his voluntary work for the homeless and dispossessed in areas that have been devastated by natural disasters. But he also ticks the several boxes for qualification to the Architectural Pantheon — a profound knowledge of his subject with a particular emphasis on cutting-edge materials and technology; total curiosity and commitment; endless innovation; an infallible eye; an acute sensibility — to name but a few.”

The citation from the Pritzker Prize jury underscores Ban’s experimental approach to common materials such as paper tubes and shipping containers, his structural innovations, and creative use  of unconventional materials such as bamboo, fabric, paper, and composites of recycled paper fiber and plastics.

Cardboard Cathedral, Christchurch, New Zealand, 2013  (Photo by Stephen Goodenough)

Cardboard Cathedral, Christchurch, New Zealand, 2013 (Photo by Stephen Goodenough)

The jury cites Naked House (2000) in Saitama, in which Ban clad the external walls in clear corrugated plastic and sections of white acrylic stretched internally across a timber frame. The layering of translucent panels evokes the glowing light of shoji screens. The client asked for no family member to be secluded, so the house consists of one unique large space, two stories high, in which four personal rooms on casters can be moved about freely.

In Curtain Wall House (1995) in Tokyo, two-story-high white curtains along the perimeter of the house can be opened to let the outside flow in or closed to provide a cocoon-like setting.

The 14-story Nicolas G. Hayek Center (2007) in Tokyo features tall glass shutters on the front and back facades that can be fully opened.

Ban used transportation containers as ready-made elements to construct the Nomadic Museum (New York, 2005; Santa Monica, California, 2006; Tokyo, 2007). His design for the Aspen Art Museum is slated to open in August 2014.

His architecture is often called “sustainable,” and environmentally friendly, but he says, “When I started working this way, almost 30 years ago, nobody was talking about the environment. But this way of working came naturally to me. I was always interested in low-cost, local, reusable materials.”

Ban served as a member of the Pritzker Architecture Prize jury from 2006 to 2009. He lectures and teaches at architecture schools around the world and is currently a professor at Kyoto University of Art and Design.

Ban attended architecture school first at the Southern California Institute of Architecture (then based in Santa Monica) and earned his bachelor’s degree in architecture from Cooper Union in New York City in 1984.

Paper Emergency Shelter for Haiti, Port-au-Prince, Haiti, 2010 (Photo by Shigeru Ban Architects)

Paper Emergency Shelter for Haiti, Port-au-Prince, Haiti, 2010 (Photo by Shigeru Ban Architects)

The first six Japanese architects to receive the Pritzker Prize were the late Kenzo Tange in 1987, Fumihiko Maki in 1993, Tadao Ando in 1995, the team of Kazuyo Sejima and Ryue Nishizawa in 2010, and Toyo Ito in 2013.

The award ceremony will take place on June 13 at the Rijksmuseum in Amsterdam. The ceremony is held each year at a culturally or historically significant venue around the world. This marks the first time the ceremony will be in the Netherlands. The ceremony will be streamed live on http://PritzkerPrize.com.

The Lord Palumbo is an internationally known architectural patron of London, chairman emeritus of the Trustees of Serpentine Galleries, former chairman of the Arts Council of Great Britain, and former chairman of the Tate Gallery Foundation.

The other members of the distinguished jury that selected the 2014 Pritzker Laureate were, alphabetically:

Alejandro Aravena, architect and executive director of Elemental in Santiago, Chile;

Stephen Breyer, U.S. Supreme Court justice, Washington, D.C.;

Yung Ho Chang, architect and educator, Beijing;

Kristin Feireiss, architecture curator, writer, and editor, Berlin;

Glenn Murcutt, architect and 2002 Pritzker Laureate, Sydney;

Juhani Pallasmaa, architect, professor and author, Helsinki, Finland;

Ratan N. Tata, chairman emeritus of Tata Sons, the holding company of the Tata Group, Mumbai, India.

Martha Thorne, associate dean for external relations, IE School of Architecture & Design, Madrid, is the executive eirector of the prize.

Curtain Wall House, Tokyo, 1995 (Photo by Hiroyuki Hirai)

Curtain Wall House, Tokyo, 1995 (Photo by Hiroyuki Hirai)

The prize was founded in 1979 by the late Jay A. Pritzker and his wife, Cindy. Its purpose is to honor annually a living architect whose built work demonstrates a combination of those qualities of talent, vision and commitment, which has produced consistent and significant contributions to humanity and the built environment through the art of architecture. The laureates receive a $100,000 grant and a bronze medallion.

In announcing this year’s laureate, Tom Pritzker said, “Shigeru Ban’s commitment to humanitarian causes through his disaster relief work is an example for all. Innovation is not limited by building type and compassion is not limited by budget. Shigeru has made our world a better place.”

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