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Saving a Piece of History
By NAO GUNJI
RAFU ENGLISH ASSISTANT EDITOR
Saturday, Feb. 2, 2008
Supporters say Aoyama tree in Little Tokyo is a “symbol of our beginning” as city commission agrees to consider historic cultural status.

Courtesy of Koyasan Buddhist Temple
Rev. Shutai Aoyama of Koyasan Buddhist Temple stands next to the ficus tree in March 1920, and (below) the same tree as it stands today immediately north of the National Center for the Preservation of Democracy. Yamashiro Restaurant in Hollywood, built in 1914, is also being considered for Historic Cultural Monument status by the city’s cultural heritage commission.

MARIO G. REYES/Rafu Shimpo
Aoyama Tree
Members of the Los Angeles Department of City Planning, Cultural Heritage Commission unanimously agreed to take Aoyama Tree in Little Tokyo and Japanese restaurant Yamashiro in Hollywood under consideration to be designated as historic-cultural monuments Thursday, during a hearing held at City Hall in downtown Los Angeles.
The Aoyama Tree is a ficus tree located on a parking lot immediately north of the National Center for the Preservation of Democracy building, a component of The Japanese American National Museum (JANM).
The 50-foot rubber tree was planted in 1920 by members of the Koyasan Buddhist Temple, which was founded in 1912 by Rev. Shutai Aoyama. In 1920, the temple moved to a wood-framed building at 133 N. Central Ave. and planted the tree at the temple’s front entrance.
In 1940, the temple moved again to its current location at 342 E. First St., however, the original building remained there to be occupied by a variety of Japanese American organizations until it was finally demolished by the city for a parking lot in the early 1950s.
The tree is currently owned by the city.
The city code defines a historic-cultural monument as “any site, building or structure of particular historic or cultural significance to the city, such as historic structures or sites in which the broad cultural, economic, or social history of the nation, State or community is reflected or exemplified, or which are identified with historic personages or with important events in the main currents of national, State or local history or which embody the distinguishing characteristics of an architectural type specimen, inherently valuable for a study of a period style or method of construction, or notable work of a master builder, designer or architect whose individual genius influenced his age.”
The application to be designated as a historic-cultural monument was filed by Deanna Matsumoto representing the Little Tokyo Historical Society (LTHS) last November, in order to acknowledge the tree as a symbol of the history of the Koyasan and of the local Japanese American community.
Thursday’s 5-minute presentation before the Commission was made by Little Tokyo Service Center Project Manager Takao Suzuki.
Commission Vice President Richard Barron suggested Suzuki collect letters of support from Councilwoman Jan Perry—who represents Little Tokyo, local businesses and organizations. The Little Tokyo Community Council has been notified of the application, but has not yet discussed it. Commissioner Glen C. Dake commented that the tree’s health evaluation should be made first in order to encourage the designation endorsement.
Koyasan Buddhist Temple President Francis Nakamura, whose father was the fourth reverend of the Temple, was present at the hearing. “The tree itself has been chronicled in various photographs,” Nakamura said. “It’s lasted through the war and all the redevelopments. It remains as part of our history. It’s a symbol of our past, physical symbol of our beginning.”
Matsumoto agrees, “It symbolizes the beginning of Little Tokyo, beginning of the Buddhist religion in Los Angeles and California.”
Matsumoto told The Rafu Shimpo that LTHS hopes to get funds to prepare a plaque or historical marker for the tree. The city plans to create an art park where the parking lot is currently situated. Once it’s designated as a historic-cultural monument, Matsumoto said, the tree should be incorporated into the design of the park so that public activities could take place around it.
A representative from JANM was also at the hearing to express the organization’s support to the designation.
The Commission also heard a presentation to nominate Yamashiro as a historic-cultural monument. Yamashiro, also known as “Mountain Palace,” was built in 1914 by the Bernheimer Brothers in order to house their massive collection of Chinese and Japanese artwork. The property includes the 10-room teak and cedar mansion with ornate woodwork and silk wallpaper, Japanese gardens, 300 steps leading up the hillside to the mansion, a 600-year-old pagoda, a teahouse and more.
Supported by the neighboring home owners’ associations and local historical groups, the current Yamashiro owners—11 descendants of mid-century landlord Thomas O. Glover who bought Yamashiro for $150,000 in 1948—and nearly 40 letters and e-mails from the public, Hollywood Heritage filed the application to the Commission.
At the hearing, one of the 11 owners, Andy Ulloa explained to the Commission that Yamashiro is currently in the process of getting sold, and the current owners wish to set a preservation guideline before a new owner takes over the property. |