Shipu Wang will discuss his book “Becoming American? The Art and Identity Crisis of Yasuo Kuniyoshi” (University of Hawaii Press) on Saturday, Sept. 24, at 2 p.m. at the Japanese American National Museum, First and Central in Little Tokyo.
On Dec. 8, 1941, artist Yasuo Kuniyoshi (1889-1953) awoke to find himself branded an “enemy alien” by the U.S. government in the aftermath of Japan’s attack on Pearl Harbor. The historical crisis forced Kuniyoshi, an émigré Japanese with a distinguished career in American art, to rethink his pictorial strategies and to confront questions of loyalty, assimilation, national and racial identity that he had carefully avoided in his prewar art.
“A few short days has changed my status in this country, although I myself have not changed at all,” he wrote at the time.
As an immigrant who had proclaimed himself to be as “American as the next fellow,” the realization of his now fractured and precarious status catalyzed the development of an emphatic and conscious identity construct that would underlie Kuniyoshi’s art and public image for the remainder of his life.
Drawing on previously unexamined primary sources, “Becoming American?” is the first scholarly book in over two decades to offer an in-depth and critical analysis of Kuniyoshi’s pivotal works, including his “anti-Japan” posters and radio broadcasts for U.S. propaganda, and his coded and increasingly enigmatic paintings, within their historical contexts.
Through the prism of an identity crisis, the book examines Kuniyoshi’s imagery and writings as vital means for him to engage, albeit often reluctantly and ambivalently, in discussions about American democracy and ideals at a time when racial and national origins were grounds for mass incarceration and discrimination.
It is also among the first scholarly studies to investigate the activities of Americans of Japanese descent outside the internment camps and the intense pressures with which they had to deal in the aftermath of Pearl Harbor.
As an art historical book, “Becoming American?” foregrounds broader historical debates of what constituted American art, a central preoccupation of Kuniyoshi’s artistic milieu. It illuminates the complicating factors of race, diasporas, and ideology in the construction of an American cultural identity.
The book elucidates the ways in which “minority” artists have been, and continue to be, both championed and marginalized for their cultural and ethnic “difference” within the 20th-century American art canon.
Wang is an art historian and assistant professor at UC Merced. His areas of expertise are 20th-century art and visual culture in the global contexts, with specializations in modernisms and historical discourses on race, nationalism, and diasporas in American art. He is the recipient of the 2008 Patricia and Phillip Frost Essay Award, given by the Smithsonian American Art Museum, which recognizes the most distinguished contribution to the museum’s journal, American Art.
For more information, call (213) 625-0414 or visit www.janm.org.